The Philelectic Society’s Fall Showcase of An American in Paris, directed by Patrick Cragin ’06, left audiences repeating the same astonished refrain: “I can’t believe this was a high school production.”

From the very first moments, it was clear that The Phils’ performers delivered something truly exceptional. The dancers’ ballet work was remarkably precise, elevating the show’s sweeping choreography to a professional level. Their high-energy performances—combined with polished acting and vocal work—kept audiences fully engaged from start to finish.

Junior Bryson Morse shined with poise and charisma in the iconic role of Jerry, supported by seniors Nate Costantini and Keshaun Tervalon, whose powerhouse performances brought depth, maturity, and emotional resonance to the production. They were joined by fellow principals senior Cullen Morris, sophomore Lucienne Daigle, senior Leah Gilmore, and freshman Mia Long, each contributing memorable character work that added heart and texture to the show. The ensemble of 30—including standout dancers sophomore Thomas Hughes, sophomore Liam Van Vrancken, junior Ford Mollere, and sophomore Joey Bertucci—delivered technique and stage presence that consistently elevated the musical’s demanding choreography.

The extraordinary work onstage was matched by the masterful artistry behind the scenes. Under the leadership of Technical Director DJ Galiano ’07 and Music Director Matthew Wolff ’13, the production achieved a seamless blend of lighting, sound, and musicality that rivaled professional theater. Associate Choreographer Arianna D’Antonio, Scenic Designer Nathan Arthur, Costume Designer Judy Beaman, and Master Builder Marc Gittings crafted a visual world so rich and cohesive that audiences often forgot they were watching a high school performance. Their combined efforts brought Paris to life with elegance, flair, and exceptional attention to detail.

Choreographed by Kenneth Beck ’79 and directed by Patrick Cragin ’06, this ambitious production showcased not only the remarkable discipline and talent of The Philelectic Society but also their commitment to producing art of the highest caliber. Elegant, artistically rich, and executed with breathtaking precision, An American in Paris was more than a school production—it was a triumph that left audiences in awe.